The Replacements are the Minnesota band. Everyone from Minnesota likes them, even if they’ve never heard their music and know nothing about them. Why is that? Well, I’ve been saying over and over again that people from Minnesota love Minnesota and everything that comes from there. Other than that, who knows? They are a really good band.

One thing I love about them is their nickname. Ask a Minneapolis scenester from the 1980s and they will start talking about “The Mats”. Now, you might be saying, “Why are they called ‘The Mats’?” Well, it’s an extremely complicated nickname and I love complicated nicknames. I have a friend named Ricky Greacen. My brother used to call him Ricky Wintertrate. Here’s why: My brother and his friends would call many things and people greasy. Something that was very greasy might be “grease concentrate”. Naturally, this eventually shortened to “greasentrate”. The first two syllables of “greasentrate” are pronounced like Ricky Greacen’s last name. There was a character in the snowboarding game for Nintendo 64 called 1080 named Ricky Winterborn. Thus, you get Ricky Wintertrate.

Okay, back to The Mats. So people at some point decided to give The Replacements a nickname. They started calling them The Replacemats. Funny, right? Then, they thought that was too long, so they shortened it to The Mats. So their nickname doesn’t even come from their band name, but from a joke about their band name. It’s even to the point that the url for their band site on their old record label is just http://www.twintone.com/mats.html. Awesome.

The other thing I love about The Replacements is that they are the most punk band ever. “Wait a minute,” you are probably thinking to yourself, “I thought the Exploding Fuckdolls were the most punk band of all time.” Well, you’re wrong. Although they have an excellently punk name, the Exploding Fuckdolls are not even close to as punk as The Replacements. Punk is not about cool names or clothing or music. Punk is about your attitude. Take a look at this music video:

Now that is a punk rock music video. Someone clearly told them that they had to make a music video. They said no. They were told that they really had to. So they said, “All right! We’ll make a music video. We’ll make a music video that will make them wish they had never been born!”

Obviously, since the entire video is about someone sitting on their couch, I will not write much about that video. That was from Tim, their first major label album. For their next album, Pleased To Meet Me, they made a video for the song Alex Chilton. Clearly someone told them that this time the band had to be in the video. So they made this:

This video just shows the band sitting around, not doing anything. This was hardly an improvement. By their next album, Don’t Tell a Soul, The Replacements gave in. They would attempt to make a normal video with people playing instruments and singing and acting like they wanted someone to like it. It seems like things didn’t go entirely as planned.

I’ll Be You by The Replacements.

The basic premise of the video is that band is following the hook of the song, “You be me for a while and I’ll be you,” by switching instruments occasionally. The band didn’t really commit to it, though. It starts simply enough with a weird and unnecessary broken glass effect.

The bass player is trying the hardest to impress.

He is wearing make-up, a bow tie, and a ridiculous jacket.

Quickly, though, the singer gets tired. He pulls the microphone stand over to a chair and has a seat.

The drummer does his best to play guitar, trying to make the video’s concept work.

The singer can’t take it and puts his head in the bass drum.

When the drum is struck it blows all the air out and he will suffocate. He hopes it works that way, at least.

The band gets it back together enough to play and sing a bit like a normal band.

But the singer walks off in the middle of the chorus.

The bass player tries to pretend like nothing is wrong.

Then, they set up another good shot. The singer sings the hook.

The drummer hands over the drumsticks.

And, instead of sitting down and beginning to play, the singer just throws the drumsticks away and walks off.

So it’s really the singer who is making no effort here. He refuses to commit to the concept of the video.

He takes off his guitar, throws it on the floor, and then sings for a bit.

Then he tries to walk through the drum set and probably hurts himself pretty seriously.

Most likely they had to stop filming after that.

The whole video is extremely punk rock. I feel like coming up with a reasonable concept and then just refusing to do it well is one of the most punk things you could do. But is it Minnesotan? I’m not sure. I guess it is really passive aggressive, and that is definitely Minnesotan. I’m going to say yes, this is Minnesotan. The Replacements are a Minnesotan band. They’re coming to your town. They’re going to be nice around. They’re a Minnesotan band.

-PTD

Welcome to day 2 of Minnesota Week here at Another Flavor!

Minnesota Week has really started rolling here and we (Who is we? I am.) couldn’t be happier. Today we’ll be looking at a video by Trip Shakespeare. Today they are known primarily as the band that 2 out of 3 members of Semisonic were in before they got famous, but they actually released two albums on a major label. Neither of the albums did well, though, and today no one outside Minnesota remembers them fondly or remembers them at all. In Minnesota, though, they are thought of as a seminal influence whose jangly pop sound and vaguely experimental psychedelia was directly responsible for the work of Josh Hartnett.

Thank you, Trip Shakespeare.

Anyways, Minnesotans are not prone to being demonstrative. Let’s say you are having fun. For the sake of argument, let’s say you are not drunk. If you are Minnesotan, you might do the following things:
1. Laugh through your nose a little bit.
2. Look away from people and smile.
3. Mention to your spouse a few weeks after the fact that you “had a pretty good time.”

These kinds of things, which are commonplace in Minnesota, do not play well in other parts of the country. People would think that the Minnesotans were somber. It comes from our Scandinavian blood. Many non-Scandinavians don’t realize that Ingmar Bergman’s film Cries and Whispers is a hilarious comedy. It is just a bit reserved. Bergman doesn’t want to show off.

So, what do you do if you are trying to become a nationally famous band and you are a Minnesotan with a fun song? Let’s take a look:

Oh god, it’s horrifying.

The answer to my question is, apparently, that you fake it. You look at some pictures and videos of non-Minnesotans having fun and you do your best to pretend. The members of Trip Shakespeare are clearly not good actors. Like alcoholics whose slow, careful walk is designed to hide their drunkenness, Trip Shakespeare’s carefully choreographed revelry is designed to hide just how uncomfortable they are with the whole thing.

Look at this picture:

Each member of the band is carefully posed to indicate fun.

Here is a sexy woman:

No one in Minnesota appreciates that kind of clothing. It’s just not practical. We prefer a nice, skin-tight sweater. It’s both hot and hot.

The singer, who grows up to be the milquetoast lead singer of Semisonic, has long hair, but we aren’t fooled.

The whole band uses some sort of technology to make themselves extremely large and shoves their faces through the curtain.

It’s possible that the bass player (he’s on the left) is having a little bit of fun. The guy on the right is in pain, though.

None of them knows how to dance.

They think that sharing a microphone might give them a carefree, Beatles-ish vibe. Once again it is forced.

This guy is the worst actor of them all.

I think if you wrote a text book about body language you could use this shot as a perfect example of being uncomfortable. His shoulders are hunched. His whole body is tight. The expression on his face is pained. This guy is not having anything even similar to fun.

It’s time to quit, guys.

The band seems to agree so they give us another shot of a long-haired Dan Wilson.

And then end the song. At this point someone from the label must have shown up with a whip. Because even though the song has ended they start playing again.

They are whipped into a frenzy!

Then the song mercifully fades out.

Here’s some advice: When you stop playing, you have made an agreement with the audience that the song is over. Do not breach their trust. They will be angry. This is the same reason that encores are terrible. When a band walks off- stage, the show is over. I leave. You should too. Jesus, people. Get your shit together.

I don’t want to sound like I hate this video. I don’t. I’m obligated not too because I’m from Minnesota. This is what I found to like:

I like all the cheerleaders or whatever they are. Are they supposed to be bachelorettes?

She also seems pretty uncomfortable, though.

This person has a lot of self-confidence.

I also like that they put a Minnesota reference in the video. If you were paying attention, you noticed this shot:

Any Minnesotan music fan recognizes that brick painted black with white stars on it. That is First Avenue, made famous in Purple Rain. This is good. Trip Shakespeare know who they can count on so they threw that in for us.

Join me tomorrow when I talk about a band you actually care about.

-PTD

Welcome to Minnesota Week here on Another Flavor!

As I’ve mentioned before, I was not born in Minnesota and do not currently live there. I’m from there, though. I have a Minnesotan accent. I don’t like confrontation. I try to remain polite to people while avoiding talking to them. I consider telling someone else how I’m feeling a violent act, similar to walking up behind him and strangling him with piano wire. So I feel a special connection to the music and music videos of Minnesotan acts. As a result, I’ll be writing about Minnesotan music videos all this week.

What is a Minnesotan music video? First of all, I’d like to clarify what I mean by a Minnesotan musical act. Bob Dylan is not a Minnesotan musical act. Yes, he was born and raised there and “the place that [he comes] from is called the Midwest”, but he moved to New York to start his career and become famous. He does not count. You wouldn’t consider Guns ‘N’ Roses an Indiana band, would you? I’m only talking about bands and acts who stayed in Minnesota. Maybe they eventually bought a house in LA or something, but if they had their initial hits while in Minnesota then I count them. Look at Prince. I mean, look at him:

He is a huge star, but when he made a movie he filmed and recorded it in Minnesota, primarily at famed Minneapolis club First Avenue. He is as Minnesotan as they get. I’m not sure if I’ll be able to write about Prince this week, though, because all the videos of his I found on YouTube are of terrible quality. Even worse than the videos I normally write about. Sorry dudes. Someday.

Who I will be talking about is The Suburbs. The Suburbs are a New Wave band. This means that they are a little bit punk, a little bit pop, and a whole lot of synthesizers. They have an amazing logo:

Their music is so potent that Arcade Fire named an album after them and it won a Grammy. They aren’t remembered much today outside of Minnesota. That is the case with most of the bands I’ll discuss this week. People in Minnesota have a great love of Minnesotans, though. What is the only state that Walter Mondale took during the 1984 presidential election? His home state of Minnesota. And no one likes Walter Mondale. That’s how much Minnesotans like Minnesotans. So we keep the memory of The Suburbs alive.

Check out their video for Cows:

I apologize for the low quality, but that’s what happens when you are remembering bands that were never very popular from the 1980’s.

I think we can all agree that this song is awesome. “I like cows and they like me.” That sums up most of my feelings. Also, it is a metaphor for something. Probably US foreign policy in Iran. Or possibly the increasingly ridiculous variety of ice cream flavors. I mean, it shouldn’t take me literally 20 minutes to figure out which ice cream to buy. I’m paralyzed by choice. It makes me so mad!

The video opens with the band in full New Wave synth mode.

They quickly add the punk, though.

Look at that guitar player’s face! He is shocked that they have begun rocking out.

The band rocks in front of their amazing logo.

The drummer is wearing a tie that is so thin it might accidentally be one of those Texas things that pretends it is a tie but isn’t.

We see the singer in front of a cow. He is like a New Wave Minnesotan Elvis.

As the gods of Minnesota demand, he is blond. The gods of New Wave demand the ridiculous hair style. But the Elvis is still clearly there.

Do you see it?

Since the song is called Cows, the band recreates their logo with a cow theme.

Look at them, seriously standing there holding their meat.

Where the hell are they filming that? It seems bleak. Must be Minnesota.

There is a guitar solo.

The video ends with some comments about Cows’ skinny feet.

Why would a band make a song about Cows and make this video about it? Remember what I said about Minnesotans and talking about feelings? This is the best we can do. You have to read between the lines a little bit here. The Suburbs are lonely. They don’t say that they are lonely, but when you talk so much about how cows are your friends it is pretty clear that you have no human friends. Also, they don’t really like cows that much. They didn’t take the time to learn about them so they don’t even know the word “hooves” and instead refer to “skinny feet”. They need our love. I am prepared to give it to them.

Join me tomorrow as Minnesota Week continues here at Another Flavor!

-PTD